After two years, Fuji has got the substitute to its well-known FinePix X100 compact digicam, and it has trawled through users’ feedback to create 70 changes to the brand-new Fuji X100S.
Like the Fuji FinePix X100, the particular Fuji FinePix X100S has an APS-C formatting sensor, however its resolution has been boosted through 12.3MP for you to 16.Three or more million pixels * the same as the Fuji X-Pro1.
The really big news, nonetheless, is that the APS-C format X-Trans CMOS II sensing unit has the identical colour filtering arrangement since the Fuji X-Pro1.
Unlike most digital cameras that use any Bayer pattern involving red, eco-friendly, green along with blue receptors (generally referred to as RGGB) arranged in a Two x Two grid, your X-Trans CMOS II system uses a Some x 6 RGGB filter assortment pattern, having a random agreement of color filters within just each stop of 36 photo receptors.
This implies that the sensing unit is a smaller amount prone to experience moiré patterning, and as a result Fuji can omit the particular anti-aliasing filter that overlays most digicam sensors. The advantages of this is the camera has the capacity to produce crisper, more detailed photos.
Fuji has bundled this sensing unit with a new EXR Processor chip II, that your company promises helps your Fuji X100S produce images with all around 30% higher transmission to noises ratio than others from the Fuji X100.
This processing engine has enabled the particular Fuji X100S to have a highest continuous taking pictures rate associated with 6fps for up to 30 images with full solution, and a shutter insulate of simply 0.01sec.
In supplement, raw records are registered as 14-bit as opposed to 12-bit, Full HD video (1920 x 1080) footage could be recorded from up to 60fps rather than 720p footage with 24fps, and the optimum sensitivity environment has been pressed up 1EV in order to ISO 6400.
There’s also a Lens Modulation Optimiser that Fuji boasts reduces the affect of diffraction along with corner soft qualities to produce crisper images, perhaps at more compact apertures such as f/16.
We weren’t able to take virtually any images with all the pre-production sample Fuji X100S camera that we noticed a few weeks ahead of its international announcement, though the specification bodes adequately for picture quality.
Like your Fuji X100, the Fuji X100S includes a fixed 23mm f/2 zoom lens consisting of 8 elements inside six groupings and together with a double-sided aspherical element along with highly echoing converging glass aspects, which boost detail resolution and reduce aberration.
Fujinon’s HT-EBC finish has also been used, to reduce pazazz and cat.
One of the biggest criticisms with the Fuji X100 was it’s autofocus (Auto focus) speed, that has been improved by a firmware update, but nonetheless failed to arranged the world alight.
Naturally, then, this has recently been a key improvement area for Fuji’s engineers. The Fuji X100S has a cross AF program that uses both contrast or even phase diagnosis depending on the predicament (the camera helps make the selection routinely). And Fuji boasts that it gets the fastest AF speed from a APS-C format fixed lens lightweight camera (not just a huge pool), taking just 0.08 sec to obtain the subject sharp.
Unfortunately, the Auto focus system wasn’t operational within the model all of us handled, but the claims indicate a significant improvement on the Fuji X100. We are looking forward to receiving an operational sample set for our complete Fuji X100S review before long.
Fuji has also altered the manual focus system, and the Fuji X100S, combined with the Fuji X20 announced simultaneously, debuts the world’s very first Digital Split Image display.
This makes use of the particular cameras’ phase recognition pixels (which double as green pixels) to create a double impression that is compared to merged in to the image from your other pixels. It is essentially a form of digital range finder focusing.
Keen videographers will even appreciate digging in Focus Peaking Emphasize, which shows the areas of highest comparison (and therefore greatest focus).
The Fuji X100 first showed a crossbreed viewfinder, and this remains in a revised form inside Fuji X100S. Helpfully, the optical finder presenting an overlay that enables you to see the particular exposure configurations and focus level. It also today functions using subjects as near as 50cm absent, rather than 80cm apart.
The resolution of the electronic viewfinder (EVF) been specifically boosted, and it’s a 2,Three hundred and sixty,000-dot device.
A new coating about the viewfinder glass has been added to fight fingerprints.
Like the particular Fuji X-Pro 1, the Fuji X100S has Fuji’s Film Simulation Modes. This has currently been pushed to include 12 modes (Velvia, Provia, Astia, Pro Neg Std, Seasoned Neg Hi, Sepia, Monochrome and Black and white with a discolored, red or green filtration effect).
We were not able to verify it, but our understanding is these, much like the new Innovative Filter modes, are a JPEG-only alternative. We would like to have the ability to use them to be able to shoot organic and JPEG records, so that there is the option to have a ‘clean’ and a highly processed image.
Build and handling
Fuji has stuck with the same design and style for the Fuji X100S because it used for the Fuji X100. Consequently, the actual Fuji X100S is constructed from this mineral alloy and possesses a very excellent feel with retro hair styling.
Exposure is set by using a shutter speed call and aperture wedding ring, with semi- and also fully-automated control being possible by simply setting one to A.
The option and management layout of the Fuji X100S is the same as the Fuji X100, but the uncooked button will likely be labelled Q in the ultimate production taste, and this offers access to exactly the same type of Quick Menu as is also found on the Fuji X-Pro1.
This is amongst the best perform or quick menu agreements that we are familiar with, since capabilities may be modified merely by navigating for them using the direction-finding controls and then using the knobs to alter the particular settings.
Fuji has also changed the shape of the handle that knobs between the a couple of viewfinder modes, yet we didn’t find it designed a significant difference. None did all of us notice a great appreciable impact on the viewfinder, which usually we are instructed has changed form a little to prevent dust build-up.
As but we haven’t been able to use a fully-functional Fuji X100S, nevertheless its specification looks very promising.
As with the X-Pro1, Fuji will be claiming that it is sensor design enables your compact photographic camera to compete with full-frame cameras with regard to image top quality.
We found that the actual Fuji X-Pro1 produces excellent images that have a wonderful film-like top quality to them. For the reason that Fuji X100S has the very same size and resolution warning, but with the updated design, we count on something similar for its image top quality.
When we get a full-production sample we will, of course place it through each of our full range of exams. We will pay particular awareness of the auto-focus speed along with compare that carefully achievable of the Fuji X100.
We loved the old style design and also control agreement of the Fuji X100. Their image good quality is also great, but it is overtaken by that with the Fuji X-Pro1, which is capable of producing pictures that are not far off these from some full-frame cameras.
The idea that the Fuji X100S has an evolution from the X-Pro1′s sensor is extremely exciting, so we are really looking forward to putting this through it’s paces.
We’ll be changing this hands-on evaluation as soon as we can, so enjoy this space.